The Sixth Annual Academy Awards: 1919

Posted on August 25, 2015 by Jedadiah Leland

Attorney General A. Mitchell Palmer

In 1919, as the Spanish Flu continued to infect and kill millions, the world tried to recover from World War I. After spending six months at the Paris Peace Conference, President Woodrow Wilson returned to the U.S. and launched an ultimately unsuccessful campaign to bring the United States into the newly formed League of Nations. On September 25th, while barnstorming across the nation in support of the League, a physically exhausted Wilson collapsed and never truly recovered. On October 2nd, a stroke left him partially paralyzed and blind in one eye.

Even before Wilson’s physical collapse, the U.S. population had reason to feel uncertain about the future. On January 6th, the wildly popular Theodore Roosevelt died in his sleep. Before his death, Roosevelt had been widely expected to run for President in 1920 and hopefully return the U.S. to the peace and prosperity that it knew before the Wilson years.

In April, anarchists mailed at least 39 bombs to prominent businessmen and political leaders. On June 2nd, these same anarchists managed to detonate 8 large bombs nearly simultaneously in 8 large cities. If the bombers were hoping that their actions would lead to a revolution similar to the one that had recently occurred in Russia, they were soon proven incorrect. Instead, Attorney General A. Mitchell Palmer , who was himself hoping to win the Presidency in 1920, launched a series of so-called Palmer Raids, targeting anyone who might be considered a subversive.

The anarchist bombings also led to one of the greatest upsets in Academy history. When the Academy Award nominations were announced in January of 1920, most observers felt that the race was between Universal‘s Blind Husbands, United Artist‘s Broken Blossoms, and the Paramount action-comedy The Roaring Road, all of which received 7 nominations. Blind Husbands and Broken Blossoms were both prestige pictures and The Roaring Road was one of the most popular films of the year. As well, Broken Blossoms was directed by D.W. Griffith and many felt that it was finally time for a Griffith film to win best picture.

Instead, when the Fatty Arbuckle-hosted awards ceremony was held on February 20th, 1920 at the Hollywood Hotel, the awards for picture, director, and screenplay went to a low-budget film called Bolshevism on Trial. Based on a novel by Thomas Dixon (who also wrote The Clansman, the novel that inspired D.W. Griffith’s Birth of a Nation), Bolshevism on Trial told the story of a misguided and wealthy activists who attempt to start a commune on an island off the Florida coast, just to have power seized by an evil Socialist agitator named Herman. Bolshevism on Trial may not have been as polished as the other nominees but it both tapped into the national mood and confirmed what many Americans believed about Marxism. Bolshevism On Trial was nominated for 4 award and won 3 of them, leaving many to wonder whether D.W. Griffith was forever destined to always be a contender but never a winner.

As for the other awards, the famous magician Harry Houdini won best actor, largely for playing himself in The Grim Game. However, shortly after winning, Houdini abandoned his acting career, saying that he could make more money by concentrating on his stage show. Evelyn Preer made history as the first African-American to be nominated for best actress. (She was nominated for a “race picture”, Oscar Micheaux‘s The Homesteader.) However, the award itself was won by Mary Miles Minter for her lead role in William Desmond Taylor‘s Anne of Green Gables.

The Sixth Annual Academy Awards

(Honoring films released between January 1st and December 31st, 1919. Winners are starred and listed in bold)

Best Picture

Blind Husbands. Produced by Carl Laemmle. Universal.

*Bolshevism on Trial. Produced by Lewis J. Selzinck. Select Pictures.

Broken Blossoms. Produced by D.W. Griffith. United Artists.

The Lost Battalion. Produced by Edward McManus. W.H. Productions.

The Miracle Man. Produced by George Loane Tucker. Paramount.

The Roaring Road. Produced by Jesse L. Lasky. Paramount.

A scene from Bolshevism on Trial

Best Director, Comedy

*James Cruze for The Roading Road. Paramount.

Joseph Henabery for His Majesty, the American. United Artists.

Marshall Neilan for Daddy-Long-Legs. First National.

William Desmond Taylor for Anne of Green Gables. Paramount.

James Cruze

Best Director, Drama

D.W. Griffith for Broken Blossoms. United Artists.

*Harley Knoles for Bolshevism on Trial. Select Pictures.

George Loane Tucker for The Miracle Man. Paramount.

Erich Von Stroheim for Blind Husbands. Universal.

A scene from Bolshevism on Trial

Best Actor

Richard Barthelmess for Broken Blossoms. United Artists.

*Harry Houdini for The Grim Game. Paramount.

Thomas Meighan for The Miracle Man. Paramount.

Wallace Reid for The Roaring Road. Paramount.

Harry Houdini

Best Actress

Lillian Gish in Broken Blossoms. United Artists.

Louise Glaum in Sahara. Pathe.

*Mary Miles Minter in Anne of Green Gables. Paramount.

Evelyn Preer in The Homesteader. Micheaux Film.

Mary Miles Minter

Best Writing

Blind Husbands. Erich Von Stroheim. Universal.

*Bolshevism on Trial. Harry Chandlee. Select Pictures.

Broken Blossoms. D.W. Griffith. United Artists.

Sahara. C. Gardner Sullivan. Pathe.

Best Cinematography

Blind Husbands. Ben F. Reynolds. Universal.

Bolshevism on Trial. Philip Hatkin. Select Pictures.

*Broken Blossoms. G.W. Bitzer. United Artists.

The Roaring Road. Frank Urson. Paramount.

G.W. Bitzer

Best Art Direction

The Avalanche. George Fitzmaurice. Paramount.

*Blind Husbands. Richard Day. Universal.

Male and Female. Wilfred Buckland. Paramount.

The Roaring Road. Wilfred Buckland. Paramount.

Blind Husbands

Best Engineering Effects

Blind Husbands. Erich Von Stroheim. Universal.

The Grim Game. Harry Houdini. Paramount.

*The Lost Battalion. Burton L. King. W.H. Productions.

The Roaring Road. Frank Urson. Paramount.

The Lost Battalion

Best Title Writing

Blind Husbands. Lillian Ducey. Universal.

Broken Blossoms. D.W. Griffith. United Artists.

Male and Female. Jeanie MacPherson. Paramount.

*The Roaring Road. Marion Fairfax. Paramount.

The Roaring Road

Films By Number of Nominations:

7 Nominations — Blind Husbands, Broken Blossoms, The Roaring Road

4 Nominations — Bolshevism on Trial

3 Nominations — The Miracle Man

2 Nominations — Anne of Green Gables, The Grim Game, The Lost Battalion, Male and Female, Sahara

1 Nominations — The Avalanche, Daddy-Long-Legs, His Majesty, the American, The Homesteader

Films By Number of Awards

3 Awards — Bolshevism on Trial

2 Awards — The Roaring Road

1 Award — Anne of Green Gables, Blind Husbands, Broken Blossoms, The Grim Game, The Lost Battalion

Studios By Number of Nominations

17 Nominations — Paramount

8 Nominations — United Artists

7 Nominations — Universal

4 Nominations — Select Films

2 Nominations — Pathe, W.H. Productions

1 Nomination — First National, Micheaux Film

Studios By Number of Awards

4 Awards — Paramount

3 Awards — Select

1 Award — United Artists, Universal, W.H. Productions

Trivia:

Evelyn Preer is the first African-American to be nominated for best actress, as well as being the first African-American to be nominated overall.

The Fourth Annual Academy Awards: 1917

Posted on August 17, 2015 by Jedadiah Leland

The host of the 4th Annual Academy Awards, Roscoe “Fatty” Arbuckle

On March 4th, 1917, President Woodrow Wilson took the oath of office and began his second term of President. Just a few months earlier, he had run for reelection on a platform of maintaining American neutrality in the war that was ravaging Europe. His slogan was “He Kept Us Out Of War,” and it was enough to allow him to survive one of the closest elections in U.S. History.

One month later, the U.S. declared war on Germany and entered into what would come to be called World War I.

Whereas the previous year had been dominated by films, like the Award-winning Civilization, that promoted neutrality and world peace, 1917 saw the release of several films that were designed to support the American war effort. The pacifism of Civilization was forgotten as the box office embraced both patriotism and escapism.

Audiences looking for patriotism flocked to The Little American. Directed by Cecil B. DeMille and starring Mary Pickford, The Little American featured Pickford as Angela, an American woman who falls in love with two soldiers, one German and one French, during the opening days of World War I. Also popular was Universal’s The Man Without a Country, in which a treasonous pacifist is convinced to support the war effort by reading and visualizing Edward Everett Hale’s famous short story.

Audiences looking for an escape from the grim reality of war flocked to see Fox’s Cleopatra, an extravagant recreation of the ancient Rome that starred Theda Bara as Cleopatra and Fritz Leiber, Sr. as Julius Caesar. Also popular was Golden Rule Kate, a comedic western that starred Louise Glaum. Finally, there was William Desmond Taylor’s adaptation of Mark Twain’s Tom Sawyer, starring the popular Jack Pickford (younger brother of Mary) in the title role.

For the first time, there was speculation in some contemporary California newspapers over which films wold actually be nominated for an Academy Award. In the days leading up to the announcement of the nominations, it was generally agreed that the probable nominees for best picture would be Cleopatra, Golden Rule Kate, The Little American, The Man Without A Country, Tom Sawyer, and Wild and Woolly, a Douglas Fairbanks comedy.

When the nominations were announced on January 20th, 1918, The Little American led with 7 nominations, followed by Cleopatra with 6, Tom Sawyer with 5, and Golden Rule Kate and The Man Without A Country with 4 each. With the exception of a nomination for director John Emerson, Wild and Woolly was almost totally snubbed. Instead, the 6th best picture nomination went to One Law For Both, a little-seen melodrama from independent filmmaker Ivan Abramson that managed to tie Tom Sawyer with a total five nominations.

As a part of his effort to attract more industry professionals into the organization, Academy President Thomas H. Ince again reformed the voting process, doing away with the jury system. While the nominations were still made by the individual branches, the 1917 awards were the first to be voted on by the entire membership of the Academy.

The ceremony was held, at the Hollywood Hotel, on the evening of February 20th, 1917. The ceremony was again hosted by the popular comedian Roscoe “Fatty” Arbuckle and also featured a speech from U.S. Senator Hiram Johnson.

The awards were a family affair, with siblings Mary and Jack Pickford winning both of the acting awards. (This was Mary Pickford’s third nomination and second victory.) The Little American won best picture, with Cecil B. DeMille winning his second award for Best Director, Drama. William Desmond Taylor won the award for Best Director, Comedy while Cleopatra settled for two technical awards.

The Fourth Annual Academy Awards

(Honoring films released in the U.S. between January 1st and December 31st, 1917. Winners are starred and listed in bold)

Best Picture

Cleopatra. Produced William Fox. Directed by J. Gordon Edwards. Fox Films.

Golden Rule Kate. Produced by Thomas H. Ince. Directed by Reginald Barker. Triangle Distributing.

*The Little American. Produced by Mary Pickford. Directed by Cecil B. DeMille. Artcraft.

The Man Without A Country. Produced by Edwin Thanhouser. Directed by Ernest C. Warde. Universal.

One Law For Both. Produced and Directed by Ivan Abramson. Ivan Film.

Tom Sawyer. Produced by Jesse L. Lasky. Directed by William Desmond Taylor. Paramount.