The Sixth Annual Academy Awards: 1919

Attorney General A. Mitchell Palmer

Attorney General A. Mitchell Palmer

In 1919, as the Spanish Flu continued to infect and kill millions, the world tried to recover from World War I.  After spending six months at the Paris Peace Conference, President Woodrow Wilson returned to the U.S. and launched an ultimately unsuccessful campaign to bring the United States into the newly formed League of Nations.  On September 25th, while barnstorming across the nation in support of the League, a physically exhausted Wilson collapsed and never truly recovered.  On October 2nd, a stroke left him partially paralyzed and blind in one eye.

Even before Wilson’s physical collapse, the U.S. population had reason to feel uncertain about the future.  On January 6th, the wildly popular Theodore Roosevelt died in his sleep.  Before his death, Roosevelt had been widely expected to run for President in 1920 and hopefully return the U.S. to the peace and prosperity that it knew before the Wilson years.

In April, anarchists mailed at least 39 bombs to prominent businessmen and political leaders.  On June 2nd, these same anarchists managed to detonate 8 large bombs nearly simultaneously in 8 large cities.  If the bombers were hoping that their actions would lead to a revolution similar to the one that had recently occurred in Russia, they were soon proven incorrect.  Instead, Attorney General A. Mitchell Palmer , who was himself hoping to win the Presidency in 1920, launched a series of so-called Palmer Raids, targeting anyone who might be considered a subversive.

The anarchist bombings also led to one of the greatest upsets in Academy history.  When the Academy Award nominations were announced in January of 1920, most observers felt that the race was between Universal‘s Blind Husbands, United Artist‘s Broken Blossoms, and the Paramount action-comedy The Roaring Road, all of which received 7 nominations.  Blind Husbands and Broken Blossoms were both prestige pictures and The Roaring Road was one of the most popular films of the year.  As well, Broken Blossoms was directed by D.W. Griffith and many felt that it was finally time for a Griffith film to win best picture.

Instead, when the Fatty Arbuckle-hosted awards ceremony was held on February 20th, 1920 at the Hollywood Hotel, the awards for picture, director, and screenplay went to a low-budget film called Bolshevism on Trial.  Based on a novel by Thomas Dixon (who also wrote The Clansman, the novel that inspired D.W. Griffith’s Birth of a Nation), Bolshevism on Trial told the story of a misguided and wealthy activists who attempt to start a commune on an island off the Florida coast, just to have power seized by an evil Socialist agitator named Herman.  Bolshevism on Trial may not have been as polished as the other nominees but it both tapped into the national mood and confirmed what many Americans believed about Marxism.  Bolshevism On Trial was nominated for 4 award and won 3 of them, leaving many to wonder whether D.W. Griffith was forever destined to always be a contender but never a winner.

As for the other awards, the famous magician Harry Houdini won best actor, largely for playing himself in The Grim Game.  However, shortly after winning, Houdini abandoned his acting career, saying that he could make more money by concentrating on his stage show.  Evelyn Preer made history as the first African-American to be nominated for best actress.  (She was nominated for a “race picture”, Oscar Micheaux‘s The Homesteader.)  However, the award itself was won by Mary Miles Minter for her lead role in William Desmond Taylor‘s Anne of Green Gables.

The Sixth Annual Academy Awards

(Honoring films released between January 1st and December 31st, 1919.  Winners are starred and listed in bold)

Best Picture

Blind Husbands.  Produced by Carl Laemmle.  Universal.

*Bolshevism on Trial.  Produced by Lewis J. Selzinck.  Select Pictures.

Broken Blossoms.  Produced by D.W. Griffith.  United Artists.

The Lost Battalion.  Produced by Edward McManus.  W.H. Productions.

The Miracle Man.  Produced by George Loane Tucker.  Paramount.

The Roaring Road.  Produced by Jesse L. Lasky.  Paramount.

A scene from Bolshevism on Trial

A scene from Bolshevism on Trial

Best Director, Comedy

*James Cruze for The Roading Road.  Paramount.

Joseph Henabery for His Majesty, the American.  United Artists.

Marshall Neilan for Daddy-Long-Legs.  First National.

William Desmond Taylor for Anne of Green Gables. Paramount.

James Cruze

James Cruze

Best Director, Drama

D.W. Griffith for Broken Blossoms.  United Artists.

*Harley Knoles for Bolshevism on Trial.  Select Pictures.

George Loane Tucker for The Miracle Man.  Paramount.

Erich Von Stroheim for Blind Husbands.  Universal.

A scene from Bolshevism on Trial

A scene from Bolshevism on Trial

Best Actor

Richard Barthelmess for Broken Blossoms.  United Artists.

*Harry Houdini for The Grim Game.  Paramount.

Thomas Meighan for The Miracle Man.  Paramount.

Wallace Reid for The Roaring Road.  Paramount.

Harry Houdini

Harry Houdini

Best Actress

Lillian Gish in Broken Blossoms.  United Artists.

Louise Glaum in Sahara. Pathe.

*Mary Miles Minter in Anne of Green Gables. Paramount.

Evelyn Preer in The Homesteader.  Micheaux Film.

Mary Miles Minter

Mary Miles Minter

Best Writing

Blind Husbands.  Erich Von Stroheim.  Universal.

*Bolshevism on Trial.  Harry Chandlee.  Select Pictures.

Broken Blossoms.  D.W. Griffith.  United Artists.

Sahara.  C. Gardner Sullivan.  Pathe.

Bolshevism_on_Trial

Best Cinematography

Blind Husbands.  Ben F. Reynolds.  Universal.

Bolshevism on Trial.  Philip Hatkin.  Select Pictures.

*Broken Blossoms.  G.W. Bitzer.  United Artists.

The Roaring Road.  Frank Urson.  Paramount.

G.W. Bitzer

G.W. Bitzer

Best Art Direction

The Avalanche.  George Fitzmaurice.  Paramount.

*Blind Husbands. Richard Day.  Universal.

Male and Female.  Wilfred Buckland.  Paramount.

The Roaring Road.  Wilfred Buckland.  Paramount.

Blind Husbands

Blind Husbands

Best Engineering Effects

Blind Husbands.  Erich Von Stroheim.  Universal.

The Grim Game.  Harry Houdini.  Paramount.

*The Lost Battalion.  Burton L. King.  W.H. Productions.

The Roaring Road.  Frank Urson.  Paramount.

The Lost Battalion

The Lost Battalion

Best Title Writing

Blind Husbands.  Lillian Ducey.  Universal.

Broken Blossoms.  D.W. Griffith.  United Artists.

Male and Female.  Jeanie MacPherson.  Paramount.

*The Roaring Road.  Marion Fairfax.  Paramount.

The Roaring Road

The Roaring Road

Films By Number of Nominations:

7 Nominations — Blind Husbands, Broken Blossoms, The Roaring Road

4 Nominations — Bolshevism on Trial

3 Nominations — The Miracle Man

2 Nominations — Anne of Green Gables, The Grim Game, The Lost Battalion, Male and Female, Sahara

1 Nominations — The Avalanche, Daddy-Long-Legs, His Majesty, the American, The Homesteader

Films By Number of Awards

3 Awards — Bolshevism on Trial

2 Awards — The Roaring Road

1 Award — Anne of Green Gables, Blind Husbands, Broken Blossoms, The Grim Game, The Lost Battalion

Studios By Number of Nominations

17 Nominations — Paramount

8 Nominations — United Artists

7 Nominations — Universal

4 Nominations — Select Films

2 Nominations — Pathe, W.H. Productions

1 Nomination — First National, Micheaux Film

Studios By Number of Awards

4 Awards — Paramount

3 Awards — Select

1 Award — United Artists, Universal, W.H. Productions

Trivia:

Evelyn Preer is the first African-American to be nominated for best actress, as well as being the first African-American to be nominated overall.

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The Fifth Annual Academy Awards: 1918

A scene from Tarzan of The Apes

A scene from Tarzan of The Apes

1918 was a year of dominated by war and pestilence.  As the world seemed to be intent on destroying itself, both the Academy and American filmgoers embraced escapism.

Overseas, the Great War continued to drag on.  With no end to the fighting in sight, there were fears that the American public would turn against the war and their elected leaders would withdraw American soldiers from the fighting.  The British government, realizing the potential of film as a propaganda tool, contacted director D.W. Griffith and offered to help him make a film.  The end result was Hearts of the World, an epic war film that starred Lillian Gish as a French girl who struggles to survive and find true love as the Germans raid her village.

Though Gish would later say that Griffith was displeased with the pro-war tone of Hearts Of The World, the film was a great success at the box office.  Or, at least it was until the fighting finally ended on November 11, 1918.  Following the signing of the Armistice, war-weary film goers were ready to escape the grimness of conflict.

For Hollywood, 1918 was a year of tragedy.  On June 29th, cinematographer John van den Broek, who had just received considerable attention for his work on Paramount’s The Blue Bird, drowned while shooting the film Woman.  His body was never recovered.

The first cases of the Spanish flu were reported in January and, by the end of the year, it would spread to every corner of the civilized world.  Before the pandemic ended two years later, over 500 million people would be infected and 100 million — 5% of the world’s population — would die as a result.  However, because of wartime censorship, it’s debatable how aware most people were of this deadly killer.

The film industry would not hit by the deadly flu until the sudden death of the popular young actor, Harold Lockwood.  As a previous nominee for Best Actor, Lockwood was the first Academy Award nominee to pass away.  On October 22nd, just three days after Lockwood’s death, actor Julian L’Estrange would also pass away from the flu.  Though L’Estrange was never as big a star as Lockwood, he was married to popular actress Constance Collier and the young film industry was hit hard by his death.

With reality so grim, can we be surprised that filmgoers embraced comedy?  Among the most popular films of the year was Mickey, in which Mabel Normand played an orphan who, after being raised by coal miners, ended up finding love in New York City.  Also searching for love in New York was Mary Miles Minter in The Eyes of Julia Deep.

Mary Pickford returned to the screen in several films.  The melodrama Stella Maris featured Pickford in two roles, playing both a paralyzed rich girl and an orphaned servant girl.  For those who preferred Pickford in a light-hearted mood, there was Amarilly of Clothes-Line Alley, a take on Pygmalion that featured Pickford as a poor girl learning how to be a refined lady.

However, the most popular film of the year was Tarzan of the Apes, the first film to be made about the legendary king of the jungle.  Starring Elmo Lincoln in the title role, Tarzan of the Apes was a huge box office success and provided eager audiences with an escape from reality.

When the Award nominations were announced, Tarzan of the Apes received 7 nominations.  Following with 5 nominations were Amarilly of Clothes-Line Alley, The Eyes of Julia Deep, Hearts of The World, and Mickey.  Coming in with three nominations was Stella Maris.  For the first time, there were two posthumous nominations, John van den Broek for The Blue Bird and Julian L’Estrange, who was nominated for best actor for his performance in the comedy Daybreak.

The Awards Ceremony was held on February 20th, 1919 at the Hollywood Hotel.  For the third time in a row, the ceremony was hosted by comedian Roscoe “Fatty” Arbuckle.  A speech was also given by Academy President Thomas H. Ince, who earlier that year had been elected without opposition to a second term.

Tarzan of the Apes won awards for best picture, director, and cinematography.  Mabel Normand won best actress for Mickey.  According to most contemporary reports, the emotional highlight of the evening came when Constance Collier accepted Julian L’Estrange’s posthumous award for best actor.

Constance Collier, widow of Julian L'Estrange

Constance Collier, widow of Julian L’Estrange

The Fifth Annual Academy Awards

(Honoring films released in the U.S. between January 1st and December 31st, 1918.

Winners are starred and listen in bold.)

Best Picture

Amarilly of Clothes-Line Alley.  Produced by Adolph Zukor.  Directed by Marshall Neilan.  Artcraft.

The Eyes of Julia Deep. Produced and Directed by Lloyd Ingraham.  American Film.

Hearts of the World.  Produced by and Directed by D.W. Griffith. Paramount.

Mickey.  Produced by Mack Sennett.  Directed by F. Richard Jones and James Young.  FBO.

Stella Maris.  Produced by Mary Pickford.  Produced by Marshall Neilan.  Artcraft.

*Tarzan of the Apes, produced by Williams Parsons.  Directed by Scott Sidney.  First National.

A scene from Tarzan of the Apes

A scene from Tarzan of the Apes

Best Director, Comedy

Allan Dwan for Bound in Morocco.  Artcraft.

Lloyd Ingraham for The Eyes of Julia Deep.  American Film.

F. Richard Jones and James Young for Mickey.  FBO.

*Marshall Neilan for Amarilly of Clothes-Line Alley.  Artcraft.

Marshall Neilan

Marshall Neilan

Best Director, Drama

D.W. Griffith for Hearts of the World.  Paramount.

Marshall Neilan for Stella Maris.  Artcraft.

*Scott Sidney for Tarzan of the Apes.  First National.

Maurice Tourneur for The Blue Bird.  Paramount.

Scott Sidney

Scott Sidney

Best Actor

Edmund Burns in Under the Greenwood Tree.  Paramount.

Douglas Fairbanks in Arizona.  Artcraft.

*Julian L’Estrange in Daybreak.  Metro Pictures.

Elmo Lincoln in Tarzan of the Apes.  First National.

Julian L'Estrange

Julian L’Estrange

Best Actress

Lillian Gish in Hearts of the World.  Paramount.

Mary Miles Minter In The Eyes of Julia Deep.  American Film.

*Mabel Normand in Mickey.  FBO.

Mary Pickford in Stella Maris.  Artcraft.

Mabel Normand

Mabel Normand

Best Writing

Amarilly of Clothes-Line Alley.  Frances Marion.  Artcraft.

*The Eyes of Julia Deep.  Kate L. McLaurin.  American Film.

Mickey.  J.G. Hawks.  FBO.

Tarzan of The Apes.  Fred Miller. First National.

The Eyes of Julia Deep

The Eyes of Julia Deep

Best Cinematography

The Blue Bird.  John van den Broek.  Paramount.

Hearts of the World.  G.W. Bitzer. Paramount.

*Tarzan of the Apes. Enrique Juan Vallejo.  First National.

Under the Yoke.  John W. Boyle.  Fox Film.

Tarzan of the Apes

Tarzan of the Apes

Best Art Direction

Amarilly of Clothes-Line Alley.  Wilfred Buckland.  Artcraft.

*Hearts of the World.  Frank Wortman.  Paramount.

Huck and Tom.  Homer Scott.  Paramount.

Tarzan of the Apes. F.I. Wetherbee.  First National.

Hearts of the World

Hearts of the World

Best Engineering Effects

*The Ghost of Slumber Mountain.  Willis O’Brien.  World Film.

The Heart of Humanity.  Allen Holubar.  Universal.

Hearts of the World.  D.W. Griffith.  Paramount.

Tarzan of the Apes.  Scott Sidney.  First National.

The Ghost of Slumber Mountain

The Ghost of Slumber Mountain

Best Title Writing

The Blue Bird.  Charles Maigne.  Paramount.

The Eyes of Julia Deep. Elizabeth Mahoney.  American Film.

*Mickey.  J.G. Hawks.  FBO.

Tarzan of the Apes.  Lois Weber.  First National.

A scene from Mickey

A scene from Mickey

Films By Number of Nominations:

7 Nominations — Tarzan of the Apes

5 Nominations — Amarilly of Clothes-Line Alley, The Eyes of Julia Deep, Hearts of the World, Mickey

3 Nominations — The Blue Bird, Stella Maris

1 Nomination — Arizona, Daybreak, Bound in Morocco, Ghost of Slumber Mountain, The Heart of Humanity, Huck and Tom, Under the Greenwood Tree, Under The Yoke

Films By Number of Awards Won

3 Awards — Tarzan of the Apes

2 Awards — Mickey

1 Award — Amarilly of Clothes-Line Alley,  Daybreak, The Eyes of Julia Deep, Ghost of Slumber Mountain, Hearts of the World

Studios By Number of Nominations

11 Nominations — Paramount

10 Nominations — Artcraft

7 Nominations — First National

5 Nominations — American Film, FBO

1 Nomination — Fox Films, Metro Pictures, Universal, World Film

Studios By Number of Wins

3 Nominations — First National

2 Nominations — FBO

1 Nomination — Artcraft, American Film, Metro Pictures, Paramount, World Film

Trivia:

Tarzan of the Apes is the first adventure film to win best picture.

John van den Broek and Julian L’Estrange are the first two people to be posthumously nominated for an Award.

Julian L’Estrange is the first person to posthumously win an Award.

The Fourth Annual Academy Awards: 1917

The host of the 4th Annual Academy Awards, Roscoe "Fatty" Arbuckle

The host of the 4th Annual Academy Awards, Roscoe “Fatty” Arbuckle

On March 4th, 1917, President Woodrow Wilson took the oath of office and began his second term of President.  Just a few months earlier, he had run for reelection on a platform of maintaining American neutrality in the war that was ravaging Europe.  His slogan was “He Kept Us Out Of War,” and it was enough to allow him to survive one of the closest elections in U.S. History.

One month later, the U.S. declared war on Germany and entered into what would come to be called World War I.

Whereas the previous year had been dominated by films, like the Award-winning Civilization, that promoted neutrality and world peace, 1917 saw the release of several films that were designed to support the American war effort.  The pacifism of Civilization was forgotten as the box office embraced both patriotism and escapism.

Audiences looking for patriotism flocked to The Little American.  Directed by Cecil B. DeMille and starring Mary Pickford, The Little American featured Pickford as Angela, an American woman who falls in love with two soldiers, one German and one French, during the opening days of World War I.  Also popular was Universal’s The Man Without a Country, in which a treasonous pacifist is convinced to support the war effort by reading and visualizing Edward Everett Hale’s famous short story.

Audiences looking for an escape from the grim reality of war flocked to see Fox’s Cleopatra, an extravagant recreation of the ancient Rome that starred Theda Bara as Cleopatra and Fritz Leiber, Sr. as Julius Caesar.  Also popular was Golden Rule Kate, a comedic western that starred Louise Glaum.  Finally, there was William Desmond Taylor’s adaptation of Mark Twain’s Tom Sawyer, starring the popular Jack Pickford (younger brother of Mary) in the title role.

For the first time, there was speculation in some contemporary California newspapers over which films wold actually be nominated for an Academy Award.  In the days leading up to the announcement of the nominations, it was generally agreed that the probable nominees for best picture would be Cleopatra, Golden Rule Kate, The Little American, The Man Without A Country, Tom Sawyer, and Wild and Woolly, a Douglas Fairbanks comedy.

When the nominations were announced on January 20th, 1918, The Little American led with 7 nominations, followed by Cleopatra with 6,  Tom Sawyer with 5, and Golden Rule Kate and The Man Without A Country with 4 each.  With the exception of a nomination for director John Emerson, Wild and Woolly was almost totally snubbed.  Instead, the 6th best picture nomination went to One Law For Both, a little-seen melodrama from independent filmmaker Ivan Abramson that managed to tie Tom Sawyer with a total five nominations.

As a part of his effort to attract more industry professionals into the organization, Academy President Thomas H. Ince again reformed the voting process, doing away with the jury system.  While the nominations were still made by the individual branches, the 1917 awards were the first to be voted on by the entire membership of the Academy.

The ceremony was held, at the Hollywood Hotel, on the evening of February 20th, 1917.  The ceremony was again hosted by the popular comedian Roscoe “Fatty” Arbuckle and also featured a speech from U.S. Senator Hiram Johnson.

The awards were a family affair, with siblings Mary and Jack Pickford winning both of the acting awards.  (This was Mary Pickford’s third nomination and second victory.)  The Little American won best picture, with Cecil B. DeMille winning his second award for Best Director, Drama.  William Desmond Taylor won the award for Best Director, Comedy while Cleopatra settled for two technical awards.

The Fourth Annual Academy Awards

(Honoring films released in the U.S. between January 1st and December 31st, 1917.  Winners are starred and listed in bold)

Best Picture

Cleopatra.  Produced William Fox.  Directed by J. Gordon Edwards.  Fox Films.

Golden Rule Kate.  Produced by Thomas H. Ince.  Directed by Reginald Barker.  Triangle Distributing.

*The Little American.  Produced by Mary Pickford.  Directed by Cecil B. DeMille.  Artcraft.

The Man Without A Country.  Produced by Edwin Thanhouser.  Directed by Ernest C. Warde.  Universal.

One Law For Both.  Produced and Directed by Ivan Abramson.  Ivan Film.

Tom Sawyer.  Produced by Jesse L. Lasky.  Directed by William Desmond Taylor.  Paramount.

A scene from The Little American

A scene from The Little American

Best Director, Comedy

John Emerson for Wild and Woolly.  Artcraft.

Wray Physioc for The Gulf Between.  Technicolor Motion Picture Corp.

*William Desmond Taylor for Tom Sawyer.  Paramount.

Maurice Tourneur for The Poor Little Rich Girl.  Artcraft.

William Desmond Taylor

William Desmond Taylor

Best Director, Drama

Ivan Abramson for One Law For Both.  Ivan Film.

Reginald Barker for Golden Rule Kate.  Triangle Distributing.

*Cecil B. DeMille for The Little American.  Artcraft.

J. Gordon Edwards for Cleopatra.  Fox Films.

Cecil B. DeMille

Cecil B. DeMille

Best Actor

John Barrymore in Raffles, the Amateur Cracksman.  Hiller & Wilk.

Holmes Herbert in The Man Without A Country.  Universal.

Harold Lockwood in Paradise Garden.  Metro Pictures.

*Jack Pickford in Tom Sawyer.  Paramount.

Jack Pickford

Jack Pickford

Best Actress

Theda Bara in Cleopatra.  Fox Films.

Rita Jolivet in One Law For Both.  Ivan Film.

*Mary Pickford in The Little American.  Artcraft.

Kathlyn Williams in Big Timber.  Paramount.

Mary Pickford in The Little American

Mary Pickford in The Little American

Best Writing

*The Little American.  Jeanie MacPherson.  Artcraft.

Cleopatra.  Adrian Johnson.  Fox Films.

One Law For Both.  Ivan Abramson.  Ivan Film.

Tom Sawyer.  Julia Crawford Ivers.  Paramount.

Jeanie MacPherson

Jeanie MacPherson

Best Cinematography

The Bad Boy.  David Abel.  Triangle Distributing.

*Cleopatra.  George Schniederman.  Fox Films.

Golden Rule Kate.  Joseph August.  Triangle Distributing.

The Little American.  Alvin Wyckoff.  Artcraft.

Cleopatra

Cleopatra

Best Art Design

*Cleopatra.  George James Hopkins.  Fox Films.

The Little American.  Wilfred Buckland.  Artcraft.

The Poor Little Rich Girl.  Ben Carre.  Artcraft.

Tom Sawyer.  Homer Scott.  Paramount.

Cleopatra

Cleopatra

Best Engineering Effects

The Little American.  Joseph Levering.  Artcraft.

The Man Without A Country.  Ernest C. Warde.  Universal.

Straight Shooting. George Scott. Universal.

*The Gulf Between.  Carl Gregory.  Technicolor Motion Picture Corp.

A scene from The Gulf Between, an early color film

A scene from The Gulf Between, an early color film

Best Title Writing

Camille.  Adrian Johnson.  Fox Film Corporation.

Golden Rule Kate. Monte M. Katterjohn.  Triangle Distributing.

The Man Without A Country.  Lloyd Lonergan.  Universal.

*One Law For Both.  Ivan Abramson.  Ivan Film.

One Law For Both

One Law For Both

Films By Number of Nominations:

7 Nominations — The Little American

6 Nominations — Cleopatra

5 Nominations — One Law For Both, Tom Sawyer

4 Nominations — Golden Rule Kate, The Man Without A Country

2 Nominations — The Gulf Between, The Poor Little Rich Girl

1 Nominations — The Bad Boy, Big Timber, Camille, Raffles The Amateur Crasksmith, Paradise Garden, Straight Shooting, Wild and Woolly

Films By Number Of Awards

4 Awards — The Little American

2 Awards — Cleopatra, Tom Sawyer

1 Awards — The Gulf Between, One Law For Both

Studios By Number Of Nominations

10 Nominations — Artcraft

7 Nominations — Fox Film

6 Nominations — Paramount, Universal

5 Nominations — Ivan Film, Triangle Distributing

2 Nominations — Technicolor Motion Picture Corp.

1 Nominations — Hiller & Wilk, Metro Pictures

Studios By Number of Awards

4 Awards — Artcraft

2 Awards — Fox Film, Paramount

1 Award — Ivan Film, Technicolor Motion Picture Corp.

Trivia

For the first time, the entire Academy membership votes for the awards.

Best Actor winner Jack Pickord and Best Actress winner Mary Pickford are siblings.

Mary Pickford is the first woman to win the award for best picture.

Mary Pickford wins her second award for acting.

Cecil B. DeMille wins his second award for directing and his second award for best picture.